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BECCAFUMI, Domenico St Lucy fgg oil painting


St Lucy fgg
Painting ID::  4993
BECCAFUMI, Domenico
St Lucy fgg
1521 Oil on wood Pinacoteca Nazionale, Siena

   
   
     

BECCAFUMI, Domenico The Holy Family with Young Saint John dfg oil painting


The Holy Family with Young Saint John dfg
Painting ID::  4994
BECCAFUMI, Domenico
The Holy Family with Young Saint John dfg
around 1530 Oil on panel, diameter 84 cm Galleria degli Uffizi, Florence

   
   
     

BECCAFUMI, Domenico Moses and the Golden Calf fgg oil painting


Moses and the Golden Calf fgg
Painting ID::  4995
BECCAFUMI, Domenico
Moses and the Golden Calf fgg
1536-37 Oil on wood, 197 x 139 cm Duomo, Pisa

   
   
     

BECCAFUMI, Domenico The Annunciation  jhn oil painting


The Annunciation jhn
Painting ID::  4996
BECCAFUMI, Domenico
The Annunciation jhn
c. 1545 Oil on wood SS. Martino and Vittorio, Sarteano (Siena)

   
   
     

BECCAFUMI, Domenico Fall of the Rebellious Angels gjh oil painting


Fall of the Rebellious Angels gjh
Painting ID::  4997
BECCAFUMI, Domenico
Fall of the Rebellious Angels gjh
1540s Oil on wood, 347 x 227 cm Pinacoteca Nazionale, Siena

   
   
     

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     BECCAFUMI, Domenico
     Italian Mannerist Painter, ca.1486-1551 Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist.[1] In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.

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     | Dandini, Cesare | Ciudad de la Pintura | Vasiliy Polenov |


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